SAMMANDRAGI denna teoretiska uppsats jämförs och problematiseras filosofen Hannah Arendts (1906-1975)begrepp handling och filosofen Judith Butlers (1956-) begrepp performativitet. Genom dettaså jämförs även deras respektive användning av begreppet politik. Syftet med uppsatsen är attproblematisera användningen av dessa begrepp samt att jämföra dem med varandra ochargumentera för de likheter som finns. Ytterligare ett syfte är att argumentera för HannahArendts viktiga bidrag till samtida genusvetenskaplig forskning. !Först redogör jag för Hannah Arendts och Judith Butlers användning av begreppen var försig för att sedan göra jag en jämförande begreppsanalys där jag jämför likheterna mellan derasanvändning av begreppen.Mina slutsatser är att det finns ett flertal likheter mellan Arendt och Butlers teorier kringpolitik och villkoren för det mänskliga.

Utgångspunkten i arbetet är att människor som saknar rättigheter behandlas orättvist. Nancy Frasers rättviseteori stärker det påståendet. Hennes tolkning av rättvisa innebär att individer skall ha möjlighet att deltaga som jämlikar i alla strukturer som påverkar individen. Om individen saknar rättigheter saknar hon möjlighet att deltaga som jämlik. Frågeställningen som undersöks är hur Hannah Arendts ansvarbegrepp kan minska orättvisan som individen lider av i och med sin avsaknad av rättigheter.

This essay is an examination of the examples in Kant?s Critique of Judgement. The examples which I have focused on all converge in an idea of wildness. These examples of the beautiful are illuminated by a culture-historical perspective, where the literary and scientific travelogue genre is of great importance. Apart from being exegetic and culture historical, my method is also analytic.

Syftet med detta kandidatarbete är att studera begreppen offentlighet och det offentliga rummet. Med hjälp av inventering på plats samt litteraturstudier analyseras en offentlig plats, Amiralitetsparken i Karlskrona. En utvärdering av platsens kvalitéer och brister följs därefter av ett förslag till omgestaltning av parken, som nyligen varit föremål för en arkitekttävling. Med hjälp av texter av Jürgen Habermas och Hannah Arendt förs inledningsvis en diskussion kring begreppet offentlighet och varför det offentliga rummet är så viktigt. Därefter beskrivs det spänningsfält mellan auktoritet och tillgänglighet för allmänheten som präglar många offentliga platser, däribland Amiralitetsparken i Karlskrona.

Syftet med detta kandidatarbete är att studera begreppen offentlighet och det offentliga rummet. Med hjälp av inventering på plats samt litteraturstudier analyseras en offentlig plats, Amiralitetsparken i Karlskrona. En utvärdering av platsens kvalitéer och brister följs därefter av ett förslag till omgestaltning av parken, som nyligen varit föremål för en arkitekttävling. Med hjälp av texter av Jürgen Habermas och Hannah Arendt förs inledningsvis en diskussion kring begreppet offentlighet och varför det offentliga rummet är så viktigt. Därefter beskrivs det spänningsfält mellan auktoritet och tillgänglighet för allmänheten som präglar många offentliga platser, däribland Amiralitetsparken i Karlskrona. Vidare beskrivs och jämförs några nyanlagda parker i Sverige och ett försök görs att hitta typiska drag i dessa samtida parker. Träden i parken har inventerats med hjälp av muntliga anteckningar,det vill säga ljudinspelningar, som gjorts på plats.

This paper examines Hannah Ho?chs photomontage Schnitt mit dem Ku?chenmesser Dada durch die letzte weimaren bierbauchkulturepoche Deutschlands. The paper has as its aims to understand and analyze the predominated allegorical interpretation of Schnitt and to develop a logic how meaning is produced when a viewer look at Schnitts surface. The paper finds that the predominated interpretation has been arbitrarily created out of a specific spectator that acts in a specific context and conclude instead that the predominated interpretation should be understood as a potential interpretation by a potential viewer. The paper continues to create an understanding of Schnitt as a flatbed picture to establish that as a postulate and to use it in the later semiotic dissection of Schnitts surface.

This study examines how masculinity is portrayed in podcasts. Our original materialconsisted of four episodes of C/o Hannah & Amanda and four episodes of Filip &Fredrik's podcast. We analyzed the programs both individually and in comparison toeach other. Using a rhetorical analysis, we found that the perception of men in thepodcasts conforms to societal norms. The theoretical basis underlying ouranalysis can be expected to strengthen our findings and made us also realize that theimage of masculinity is constantly evolving..

This essay is an examination of the examples in Kant?s Critique of Judgement. The examples which I have focused on all converge in an idea of wildness. These examples of the beautiful are illuminated by a culture-historical perspective, where the literary and scientific travelogue genre is of great importance. Apart from being exegetic and culture historical, my method is also analytic.

This essay is an examination of the examples in Kant?s Critique of Judgement. The examples which I have focused on all converge in an idea of wildness. These examples of the beautiful are illuminated by a culture-historical perspective, where the literary and scientific travelogue genre is of great importance. Apart from being exegetic and culture historical, my method is also analytic.

This essay is an examination of the examples in Kant?s Critique of Judgement. The examples which I have focused on all converge in an idea of wildness. These examples of the beautiful are illuminated by a culture-historical perspective, where the literary and scientific travelogue genre is of great importance. Apart from being exegetic and culture historical, my method is also analytic.

This essay is an examination of the examples in Kant?s Critique of Judgement. The examples which I have focused on all converge in an idea of wildness. These examples of the beautiful are illuminated by a culture-historical perspective, where the literary and scientific travelogue genre is of great importance. Apart from being exegetic and culture historical, my method is also analytic.

This essay is an examination of the examples in Kant?s Critique of Judgement. The examples which I have focused on all converge in an idea of wildness. These examples of the beautiful are illuminated by a culture-historical perspective, where the literary and scientific travelogue genre is of great importance. Apart from being exegetic and culture historical, my method is also analytic.

The aim for this essay is to adress questions concering ethnic and cultural experiences and in what way it affects our experience of being in different landscapes. By studying how ethnic experiences are expressed in the landscape and the ongoing process of interaction between them, this essay sets out to discuss the significance of cultural aspects in the landscape. The perspective of this essay is that both landscape and ethnicity can be viewed as something constructed which is shaped and maintained by ongoing interactions in the landscape.While examples are taken from different parts of the western world, the main focus is to study how these experiences take place and are being negotiatiated in a particular landscape, an allotment area outside Malmö, Sweden.In the first part it is shown how the landscape can be read as a landscape of powerrelations and how these relations are related to ethnic experiences.In the next chapter the discussion concerns whether we can talk about different ?ethnic landscapes?. Research suggest that the use and perception of the landscape differs among ethnic groups.

This essay describes how the author gradually gets a deeper understanding for his profession and the development of his professional skills, attitude and practice. The essay contains two main narratives representing examples from the author´s occupational practice, and through those narratives he tells how his practice alters and develops. These stories are also the basis for considering different aspects on how to get good models for practising a profession when you are a beginner, and how to manage ethical dilemmas. The starting point is when the author in the beginning of his career as a rural pastor is visiting a seriously ill parishioner at a province hospital. The course and the outcome of this call is surprising the young pastor, and the author tries to analyze the background to the outcome and assesses several possible explanations for the result of his call. The narrative is used to examine the attitude, the professional skills and the social and existential context for the author at that time. The patriarchal patterns in the parish are illuminated and questioned. In the second part of the essay the author investigates what will happen when pastoral cure transforms to psychotherapy, and how the author deals with phenomena in the therapeutical process such as idealization and secondary traumatization. On basis of texts written by among others Ingela Josefson, Fredrik Svenaeus, Christian Nilsson and Ulla Ekström von Essen the author seeks explanation for the development of his practical knowledge. With references to philosofers as Plato, Aristotle, H.G.

This essay examines the poetry of the Swedish writer Ivar Conradson (1885-1968). Itanalyzes his work in the context of the European literary scene of the late 19th century, inparticular symbolism and impressionism. Conradson has been considered a symbolist and amysticist by critics and scholars, who claim that his poetry expresses a strong religious ethos,influenced by biblical rhetoric as regards style.While this study does not refute the common view of Conradson, it argues that his earlyworks differ from his later works, where indeed religious and mystical themes can be found.This difference can thus be seen both on stylistic and thematic levels. Using the structuralistmethod of Roman Jakobson and Jurij Lotman, and a phenomenological analysis based on thephilosophy of Maurice Merleau-Ponty and Hannah Arendt, this study examines bothsymbolist and impressionist stylistic devices and themes in Conradson?s literary debutSkyarne (1906).